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Camosun Creates...2014 - 2016

Author readings & panel discussions took place during Walls Optional 2016

John Boehme

Biography:
Weaned in the Windansea of La Jolla, California a product of boarding schools and graduating from Army and Navy Academy.  John G. Boehme’s early art practice included painting, sculpture, performance, video and digital technology, installation and photography. Boehme describes recent work as "trans-disciplinary" often employing performance, video, audio and objects in a number pieces simultaneously, Boehme is not constrained to any particular creative mode and therefore utilizes integrated approaches to realize the work. John continues to have exhibitions, screenings and participate in festivals across Canada, the Americas, Australia, United Kingdom, Europe and China. John is a continuing faculty in the Visual Arts Department at Camosun College.
 

Artist Statement:
What interests me is the ongoing reformulation of a set of key interests. These interests are drawn from my observations of Western society’s less considered compulsions. Exploring the performance of gender, specifically masculinity, the valorization of labour, the pursuit of leisure, and the marshalling of amity. I explore language and paralanguage, that is, both the spoken and gestural aspects of human communication.

Live artwork presents a direct relationship with material, with action and process, with human interaction, as I understand it. Physical involvement is the most embodied way in which to create meaning. Through durational works both the artist and the audience gain access to the experience uniquely available through such commitment. This is of course the archetypal modality of ‘performance art’, an experience that unfolds through an extended period of time. Nothing can replace that learning, that specific duration of being. Although there is no alternative to the durational aspect of performance per se, I remain interested in the question of representation of performance. The very clear and obvious problem of making the ephemeral available to a larger audience at a different time. Using video to “reconstruct” an event makes publication and discourse possible. Despite its material concerns I believe that art is rendered ultimately in the social domain.

With regard to multi-disciplinary works, I prefer the alternative term “trans-disciplinary”, as it refers to integration between media, as opposed to, say, a sequential use of different forms. For instance, I employ performance, video, audio and objects simultaneously in a number of my pieces. I am not constrained to any particular mode; rather, I utilize integrated approaches within my practice.

website             www.finearts.uvic.ca/~jgboehme/

Vimeo:              http://vimeo.com/user7683852

Youtube:           http://www.youtube.com/user/johngboehme

 

Considered Compulsions, Melbourne

Considered Compulsion series Melbourne Australia Fehily Contemporary ceramic, tee balls & golf balls, athletic support,helmet and CPAP machine, beef tallow, football cleats sunflower seeds. Are used while Beauregard Boehme completes Ballet practice

ACTION: Install ceramics while eating sunflower seeds (Spreading seed) Beauregard sets audio tone by throwing ball against wall and completes ballet exercises (a poetic gesture) commence to use ceramics install fat to head place ceramic helmet over fat head, read text of top ten business attributes while cpap air is forced down throat. and Beauregard installs tee ball to helmet and tees off helmet with ceramic bat.